What I love about research is the way that interesting ideas come at you sideways. So, a couple of weeks ago I met a friend who is based at the Centre for Nordic Studies in Orkney and has been researching the relationship between language and identity focussing on the community of Stromness from the 1960s to the present. She leant me her masters dissertation into the dialogical negotiation of cultural identity in Orkney and it was fascinating!
I particularly loved the discussion of Bakhtin’s work and the lens it can give to examining the construction of Orcadian identity. This reminded me of how much I loved studying Bakhtin in my first degree and got me thinking about how I could use my background in literature and literary theory in my current studies.
One of the statements that stood out from Becky’s research was:
“Bakhtin’s identification of carnival laughter offers a useful framework to describe how humour in Orkney acts not only against bigsy-ness [an Orcadian word that roughly translates as ‘arrogance’] and towards inclusiveness but at the same time is characterised by ambivalence, allowing things to be said publicly which can then be disclaimed by appealing to the fact that ‘everybody kens its only said in fun’” (Rebecca Ford, 2013, unpublished)
And this reminded me of how in my masters studies one of the key findings was that graduates looking for work in Orkney described avoiding talking about their degree because they didn’t want to seem ‘too big for their boots’ – that is they avoided being ‘bigsy’. And yet, at the same time they did need to show their skills / abilities in the workplace, and to be able to talk about their degree in contexts where it was relevant. I guess in this respect, there seems to be a high demand on graduates in a small community to maintain different identities, that are constructed in different ways in different settings, and yet, their identities must still remain consistent enough so that their identities don’t contradict each other. It is quite possible that carnival laughter plays a part in this, I suggested in my dissertation that in order to be successful, graduates commonly adopted a strategy that involved ‘downplaying’ their abilities directly (in speech) but making sure that they demonstrated their skills practically (through voluntary and community work particularly). Thinking about this in the light of Becky’s work, I wonder if the added advantage to this strategy is that it allows a particular form of self-deprecating humour – with graduates (humorously) downplaying their skills in a way that may actually ironically improve their reputation because the people they are talking to know that the graduate is really very capable indeed (they can see it from the work they’ve done).